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ALBUMS
BIOGRAPHY
‘…Pianist Dave Stapleton has produced one of the success stories of UK jazz over the past year’ Guardian
It’s rare that young musicians can match their talent and ambition with the energy and skills needed to advance not only their own careers but those of fellow musicians as well. Since graduating in classical piano from the Royal Welsh College of Music and Drama in 2002, Dave Stapleton has become an important figure on the UK jazz scene.
A jazz pianist of unusual abilities. A composer of beautiful, lyrical tunes and film scores. A record producer, who brings to the music of others the same care and attention to detail that he lavishes on his own releases. A gifted photographer and the astute and intelligent co-founder of EDITION RECORDS. Dave Stapleton is all of these things. What is more, he is already receiving well-deserved recognition for his work in all these areas.
Stapleton releases the third album with his acclaimed quintet in February 2010 and follows the four and five star reviews that met When Life Was In Black and White (EDN1007R) and The House Always Wins (EDN1008).
Jazzwise Magazine said of When Life Was In Black and White:
“This music is vital and fresh…full of powerful riffs, melodic hooks and intriguing and surprising turns of phrase.
While the Guardian described The House Always Wins in the following glowing terms:
“…hooks that could hardly be more accessible but which none the less avoid any formulaic references…quality and fiery, fearless soloists…A real UK jazz revelation.”
The Dave Stapleton Quintet (DSQ) combine muscular intensity with consummate delicacy in performance. A strong frontline of trumpeter Jonny Bruce and saxophonist Ben Waghorn is equalled by the magnificently subtle but pulsing rhythm section of bassist Paula Gardiner and drummer Elliott Bennett. With Stapleton moving between Fender Rhodes and acoustic piano, this is hi-energy jazz. Imagine those great Blue Note and Riverside recordings of the early sixties. DSQ have that same ability to excite heart, mind and body. Their journey so far has taken them on several UK tours and appearances at festivals in Budapest, Cannes (Midem), Cork, Zagreb, Belgrade, London, Brecon and Cheltenham.
Stapleton’s exquisitely beautiful and highly evocative music coupled with his multi-functional approach to the business of music led to him being accepted onto the second edition of the prestigious Take Five initiative. Sponsored by the Jerwood/PRS Foundation and managed by international music producers Serious, Take Five provides Britain’s most talented young jazz musicians with the unique opportunity to take ‘time out’ to develop their craft.
In Stapleton’s case, it has clearly paid dividends already. He continues to develop as a musician, as a composer and as a business man. In 2006, he signed an exclusive worldwide publishing deal with Westbury Music Ltd. Then in June 2008 and 2009, he was nominated for the Paul Hamlyn Foundation Award for Composers in recognition of his abilities and potential as a composer.
Always keen to spread his wings, Stapleton has written a number of scores for animations and short films. These include Pellegrina for the S4C (Channel Four Wales) short animation and The Outsider, which won Best Welsh Film Award at the Cardiff Film Festival. And in Spring 2009, the Mavron String Quartet premiered Stapleton’s first work for string quartet in Cardiff. But perhaps his finest work to date is the wonderful Catching Sunlight (EDN1005). A glance at the cover with its haunting Stapleton photograph tells you this is something special. It grew from a commission from the Lunar Saxophone Quartet, to which Stapleton added trumpeter Neil Yates and his own rhythm section.
Released to universal acclaim in 2008, Catching Sunlight has been highly praised in the UK, in Ireland, in France, in Russia and received a five star review in German magazine Jazzthetik. The review in the Independent on Sunday described the music as “among the best performances I’ve heard all year”. And the Irish Times noted in its four star review that:
“Dave Stapleton’s writing, which is so well conceived that it’s sometimes difficult to separate the written from the improvised.”
But Piano Magazine gave the work its most detailed analysis and, as its author was keen to point out, saw it as a sign of Stapleton’s progress as a writer:
“His compositional building blocks, repeated ostinati, short motifs that shift through registers and keys, and choppy phrasing alternated with smoother melodic or freely improvised sections, remain the basis of his technique, but the structures are tighter and his playing more deftly controlled than on his earlier recordings”.
As a musician, there’s a strength and virility to his playing, matched by an innate capacity for tenderness and reflection. As a composer, he draws upon a formidable grasp of jazz, classical and world styles, yet transforms these raw materials into something richly personal. His music touches on the language of contemporary classical music and jazz but matches these with powerful riffs, melodic hooks and intriguing and surprising turns of phrase. Whatever he does, Stapleton brings to each project a questing and searching for adventure.
He has recorded improvised duets with both saxophonist Deri Roberts and pianist Matthew Bourne. The Conway Suite (EDN1006) was recorded in Conway Church in Cardiff with Roberts on tenor and soprano and Stapleton on the church organ. Its distinctive blend of jazz, Bach, minimalism and free improvisation brought comparisons with Jan Garbarek’s work with the Hilliard Ensemble. If anything, Stapleton’s collaboration with Matthew Bourne, Dismantling the Waterfall (EDN1001), again featuring a gorgeous Stapleton photograph on its cover, received an even warmer response. As Jazzwise said, it is “a fine collaboration between two of the UK’s most exciting young pianists.”
EDITION RECORDS, the label Stapleton founded in 2007 with photographer Tim Dickeson, has gone from strength to strength. Each release to date has been a jewel and both the Guardian, Jazzwise and BBC Radio 3 have paid tribute to its high production values and innovation. To date, as well as Stapleton’s own records, EDITION has released albums by the Keith Tippett Tapestry Orchestra – the legendary Live at Le Mans (EDN1009) – and others just as fine by Geoff Eales, Dave Kane, Mark Lockheart and Troyka. Now with distribution in 23 countries worldwide, EDITION plans a further twelve releases in 2010, including records by Tom Cawley’s Curios, as well as the launch of the new Limited Edition imprint.
It’s been a fine seven years of innovation in music and business from Dave Stapleton since he left the Royal Welsh College. Here’s to the next seven!
VIDEO
Second Life (Croatia)
Images (Croatia)
Zonk (Croatia)
Zonk (Vortex, London)
www.davestapleton.com
www.jerwoodjazzgeneration.org.uk
www.myspace.com/davestapletonquintet
